Characters from the comics have seemingly taken over much of our mainstream culture, creating new interest in the business of paneled storytelling. As a result, young artists and many older fans are now seeking to become professionals. Many dream of creating the next popular character that will rise to the top of the industry. When these artists look for the best comic art classes Pennsylvania is often among their top choices.
In the early days of the industry, aspiring artists had only a couple of pathways to achieving their goals in comics. They could hone their skills alone, studying from books created by the masters of the craft, or they could basically become understudies to the professionals who were actively working in the comics field. That choice was the same one available to most artists for centuries.
With the increase in the medium's popularity, a new generation of artists felt compelled to teach their craft to the next generation of artists. Joe Kubert, a great comics artist in his own right, was among the first to open such a school. As other artists watched that school's graduates emerge to take the industry by storm, other schools began offering similar courses of study in places like Pennsylvania.
These educational forums now provide students with the foundation they need to create comics of a professional quality. They learn all the basic skills associated with quality drawing, as well as more advanced techniques for telling stories with pictures, and useful production skills. The process of learning all of these critical skill sets requires a diverse range of class work.
As might be expected, some of these courses are similar to those found in other art schools. Since comics are most commonly focused on human characters, anatomy is among the most critical skills taught to new students. In these classes, the student is familiarized with the actual proportions of the human frame, while also learning to create the more stylized and heroic anatomy seen in comics.
Different tools, mediums, and techniques are also studied. In addition to pencil drawing, students are also expected to develop expertise with India ink, as well as the pens and brushes used in the inking process. They learn how to vary line thickness, work with shadows, and create mood in their drawings. Many courses also offer supplementary instruction in mediums like watercolor, as well as instruction in various graphics software programs.
Of course, no class on comics would be complete without looking at sequential storytelling. The craft of telling a story with pictures is a highly specialized one. As a result, it requires knowledge in a variety of different areas, including things like story pace, panel composition, scene perspective, and how to translate a writer's script into the paneled scenes needed to tell the story.
The fact is that Hollywood seems ready to make even more blockbuster films with themes and characters from the comics. That will only serve to inspire even more artists to take up the mantle and try to break into this industry. Serious students can get the help they need at any of the fine sequential art schools in the area.
In the early days of the industry, aspiring artists had only a couple of pathways to achieving their goals in comics. They could hone their skills alone, studying from books created by the masters of the craft, or they could basically become understudies to the professionals who were actively working in the comics field. That choice was the same one available to most artists for centuries.
With the increase in the medium's popularity, a new generation of artists felt compelled to teach their craft to the next generation of artists. Joe Kubert, a great comics artist in his own right, was among the first to open such a school. As other artists watched that school's graduates emerge to take the industry by storm, other schools began offering similar courses of study in places like Pennsylvania.
These educational forums now provide students with the foundation they need to create comics of a professional quality. They learn all the basic skills associated with quality drawing, as well as more advanced techniques for telling stories with pictures, and useful production skills. The process of learning all of these critical skill sets requires a diverse range of class work.
As might be expected, some of these courses are similar to those found in other art schools. Since comics are most commonly focused on human characters, anatomy is among the most critical skills taught to new students. In these classes, the student is familiarized with the actual proportions of the human frame, while also learning to create the more stylized and heroic anatomy seen in comics.
Different tools, mediums, and techniques are also studied. In addition to pencil drawing, students are also expected to develop expertise with India ink, as well as the pens and brushes used in the inking process. They learn how to vary line thickness, work with shadows, and create mood in their drawings. Many courses also offer supplementary instruction in mediums like watercolor, as well as instruction in various graphics software programs.
Of course, no class on comics would be complete without looking at sequential storytelling. The craft of telling a story with pictures is a highly specialized one. As a result, it requires knowledge in a variety of different areas, including things like story pace, panel composition, scene perspective, and how to translate a writer's script into the paneled scenes needed to tell the story.
The fact is that Hollywood seems ready to make even more blockbuster films with themes and characters from the comics. That will only serve to inspire even more artists to take up the mantle and try to break into this industry. Serious students can get the help they need at any of the fine sequential art schools in the area.
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