By definition, any film made in the US outside of the major Hollywood studio network will be classified as an indie film. Practically speaking, it represents a large section made up of nearly all films produced outside of the major Hollywood studios. Movies like this face steep obstacles blocking their distribution, even in the big coastal cities, with their established film cultures. Those seeking these hard to find gems need to cuddle up with indie movies online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
There are certain entire genres of film that will almost never make vast sums of money because of the nature of a mass audience. Chief among these is the documentary. This medium has become a remarkably powerful way to spread awareness not only of themes that don't make the Hollywood film, but topics that don't make the network news.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
There are certain entire genres of film that will almost never make vast sums of money because of the nature of a mass audience. Chief among these is the documentary. This medium has become a remarkably powerful way to spread awareness not only of themes that don't make the Hollywood film, but topics that don't make the network news.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
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