Selasa, 08 Januari 2013

Comedic Seduction

By Natalie Cappetta


The word burlesque means "in an upside down style" and had a slightly different function in the 19th century. The term actually referred to a range of comic plays that were given a slight seductive edge. In the past, the shows criticized and ridiculed the higher-class and their productions-such as operas and plays- through grotesque imitation and comedic banter.

As the show developed, the comedic angle gravitated to a focus on women's sexual appeal by testing the limits on appropriate attire. Today, Burlesque shows tune in to the risqu factor and some believe performances are more of a serious striptease than a humorous performance. To some extent this is true, but there are shows that attempt to retain the classic intent of the burlesque show.

The original shows came in three parts. The first consisted of crude and coarse humour performed by comics. The second was the olio-a miscellaneous collection of acts-that included acts such as magicians, gymnasts, and musical performances (instrumental or vocal). The third usually involved a critique of the current policies or news, as well as the tantalizing burlesque dancers-which we are most familiar with today-who served as the finale.

Many believe that eroticism has taken over and has left little room for satire and grotesque comedy, which once defined the original burlesque show. People's desire for more sexual conduct has transformed the performance by putting more prominence on women than on comedy.

But, more venues in London are attempting to grab that initial model of burlesque and take it back to its true beginning, instead of falling into the mould of pure sexual desire. There are shows that try to grasp the satire and highlight it as a prominent feature, thus being at par with the alluring dancers. If you do happen to find a more customary performance in certain party venues, you will not be disappointed.




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